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The Philosophy of Fine Art, volume 3 (of 4) / Hegel's Aesthetik — Georg Wilhelm Friedrich Hegel

The Philosophy of Fine Art, volume 3 (of 4) / Hegel's Aesthetik

Georg Wilhelm Friedrich Hegel

  • Essays
  • Book language: English
  • 424 pages

This is volume three of Hegel's lectures on aesthetics, part of his systematic philosophy of art. It examines the particular arts—architecture, sculpture, painting, music, and poetry—as forms through which the Idea manifests historically. Listeners interested in philosophy, art theory, and the development of aesthetic thought will find it rewarding.

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Cover of the original edition (Project Gutenberg, public domain).

Text source: gutenberg.org · The work is in the public domain.

Opening of the book

THE PHILOSOPHY OF
FINE ART
BY
G. W. F. HEGEL
TRANSLATED, WITH NOTES, BY
F. P. B. OSMASTON, B.A.
AUTHOR OF "THE ART AND GENIUS OF TINTORET," "AN ESSAY
ON THE FUTURE OF POETRY," AND OTHER WORKS
VOL III
LONDON
G. BELL AND SONS, LTD.
1920
CONTENTS OF VOL. III
THIRD PART
THE SYSTEM OF THE PARTICULAR ARTS
INTRODUCTION
[Summary. Nature of the relation between the system
of Art-types, or the collective totality of ideal world-

presentments, and their objective realization in
independent works of art. Nature of the process in the
evolution of the specific arts themselves, and of the
aspects identical in all. The origins of art. Grace,
Charm, and severe or agreeable Style] 3
DIVISION OF THE SUBJECT
[The principle of differentiation as determined by the
sensuous aspect of the subject-matter, and the
relation thereto of the human senses of Sight,
Hearing, and intellectual Conception. Insufficiency of
such a principle of classification. Alternative principle
discussed and illustrated of more concrete nature, in
which the evolution of truth as the reality of the Idea
itself is presented] 14
SUBSECTION I
ARCHITECTURE
INTRODUCTION
[Of the beginnings of human art, and that of building
in particular. Of the nature of the subordinate
classification of architecture viewed as symbolic,
classical and romantic] 25
Division of Subject 26
CHAPTER I
INDEPENDENT AND SYMBOLIC ARCHITECTURE
Introduction and Subdivision 32
1. Works of architecture erected in order to unite
peoples 36
2. Works of architecture intermediate between the
arts of building and sculpture 38

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Contents

  1. THE PHILOSOPHY OF FINE ART
  2. G. W. F. HEGEL
  3. THE FULL PROJECT GUTENBERG™ LICENSE

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