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The Power of Darkness

Leo Tolstoy

  • Drama
  • Book language: English
  • 105 pages

Leo Tolstoy's The Power of Darkness is a five-act drama set in the Russian countryside. It follows a peasant family and their labourer as moral corruption and conscience come into conflict, and it is worth listening for its tense dialogue and psychological depth.

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Text source: standardebooks.org · The work is in the public domain.

Opening of the book

Dramatis Personae

Peter Ignátitch. A well-to-do peasant, forty-two years old, married for the second time, and sickly

Anísya. His wife, thirty-two years old, fond of dress

Akoulína. Peter’s daughter by his first marriage, sixteen years old, hard of hearing, mentally undeveloped

Nan (Anna Petróvna). His daughter by his second marriage, ten years old

Nikíta. Their labourer, twenty-five years old, fond of dress

Akím. Nikíta’s father, fifty years old, a plain-looking, God-fearing peasant

Matryóna. His wife and Nikíta’s mother, fifty years old

Marína. An orphan girl, twenty-two years old

Martha. Peter’s sister

Mítritch. An old labourer, ex-soldier

Simon. Marína’s husband

Bridegroom. Engaged to Akoulína

Iván. His father

A neighbour

First girl

Second girl

Police officer

Driver

Best man

Matchmaker

Village elder

Visitors, women, girls, and people come to see the wedding

N.B. —The “oven” mentioned is the usual large, brick, Russian baking-oven. The top of it outside is flat, so that more than one person can lie on it.

Act I

The Act takes place in autumn in a large village. The Scene represents Pŧǵŧǡ’Ǫ roomy hut. Pŧǵŧǡ is sitting on a wooden bench, mending a horse-collar. AƿƘǪΏĵ and AƫLjǼƯƘƿĵ are spinning, and singing a part-song.

Pŧǵŧǡ

(Looking out of the window.) The horses have got loose again. If we don’t look out they’ll be killing the colt. Nikíta! Hey, Nikíta!

Is the fellow deaf? (Listens. To the women.) Shut up, one can’t hear anything.

NƗƫƘǵĵ

(From outside.) What?

Pŧǵŧǡ

Drive the horses in.

NƗƫƘǵĵ

We’ll drive ’em in. All in good time.

Pŧǵŧǡ

(Shaking his head.) Ah, these labourers! If I were well, I’d not keep one on no account. There’s nothing but bother with ’em.

(Rises and sits down again.) Nikíta!   … It’s no good shouting. One of you’d better go. Go, Akoúl, drive ’em in.

LjǼƯƘƿĵ

What? The horses?

Pŧǵŧǡ

What else?

LjǼƯƘƿĵ

All right. (Exit.)

Pŧǵŧǡ

Ah, but he’s a loafer, that lad   … no good at all. Won’t stir a finger if he can help it.

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Contents

  1. Dramatis Personae
  2. Endnotes

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