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The Stones of Venice, Volume 1 (of 3)

John Ruskin

  • Essays
  • Book language: English
  • 455 pages

The Stones of Venice, Volume 1 is the opening part of John Ruskin's three-volume study of Venetian architecture. Written as essays, it examines buildings, materials, and styles while relating art to morality and society. Its vivid prose and close observation make it rewarding for readers interested in Venice and architectural criticism.

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Text source: gutenberg.org · The work is in the public domain.

Opening of the book

Transcriber's

note:

A few typographical errors have been corrected. They appear in the text like this, and the explanation will appear when the mouse pointer is moved over the marked passage.

Linked

volumes

The index of this three-volume work is in Volume III, with links to all three volumes; and some footnotes are linked between volumes.

These links are designed to work when the book is read on line. For information on the downloading of all three interlinked volumes so that the links work on your own computer, see the Transcriber's

Note at the end of this book.

Links to

Volume II

Volume III

THE COMPLETE WORKS

OF

JOHN RUSKIN

VOLUME VII
STONES OF VENICE
VOLUME I
VENICE
VENICE
FROM A PAINTING BY
J. M. W. TURNER
Library Edition
THE COMPLETE WORKS
OF

JOHN RUSKIN
STONES OF VENICE
Volumes I-II
NATIONAL LIBRARY
ASSOCIATION
CHICAGO
NEW
YORK
ТНЕ

STONES OF VENICE

VOLUME I.

THE FOUNDATIONS

PREFACE.

Iƿ the course of arranging the following essay, I put many things aside in my thoughts to be said in the Preface, things which I shall now put aside altogether, and pass by; for when a book has been advertised a year and a half, it seems best to present it with as little preface as possible.

Thus much, however, it is necessary for the reader to know, that, when I planned the work, I had materials by me, collected at different times of sojourn in Venice during the last seventeen years, which it seemed to me might be arranged with little difficulty, and which I believe to be of value as illustrating the history of Southern Gothic.

Requiring, however, some clearer assurance respecting certain points of chronology, I went to Venice finally in the autumn of 1849, not doubting but that the dates of the principal edifices of the ancient city were either ascertained, or ascertainable without extraordinary research. To my consternation, I found that the Venetian antiquaries were not agreed within a century as to the date of the building of the

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Contents

  1. Links to Volume II Volume III
  2. THE COMPLETE WORKS
  3. JOHN RUSKIN
  4. THE COMPLETE WORKS
  5. JOHN RUSKIN
  6. THE STONES OF VENICE
  7. STONES OF VENICE.
  8. THE FULL PROJECT GUTENBERG™ LICENSE

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