This collection gathers Edgar Allan Poe's poems from his youth, manhood, and later life, together with essays on poetry. Edited by John H. Ingram, it includes works such as 'The Raven,' 'Annabel Lee,' and 'Ulalume.' Poe's verse explores loss, memory, beauty, and melancholy with musical, atmospheric language, making it rewarding to hear aloud.
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Text source: gutenberg.org · The work is in the public domain.
Opening of the book
The Complete Poetical Works of Edgar Allan Poe edited by John H. Ingram [Illustration] Table of Contents Preface Memoir Poems of Later Life Dedication Preface
The Raven The Bells Ulalume To Helen Annabel Lee A Valentine An Enigma To My Mother For Annie To F—— To Frances S. Osgood Eldorado Eulalie A Dream Within a Dream To Marie Louise (Shew) To The Same The City in the Sea The Sleeper Bridal Ballad Notes Poems of Manhood Lenore To One in Paradise The Coliseum The Haunted Palace The Conqueror Worm Silence Dreamland To Zante Hymn
Notes Scenes from Politian Note Poems of Youth Introduction (1831) To Science Al Aaraaf Tamerlane To Helen The Valley of Unrest Israfel To —— ("I heed not that my earthly lot") To —— ("The Bowers whereat, in dreams, I see") To the River Song Spirits of the Dead A Dream Romance Fairyland The Lake Evening Star Imitation "The Happiest Day" Hymn (Translation from the Greek) Dreams "In Youth I have known one" A Pæan Notes
Doubtful Poems
Alone
To Isadore
The Village Street
The Forest Reverie
Notes
Prose Poems
The Island of the Fay
The Power of Words
The Colloquy of Monos and Una
The Conversation of Eiros and Charmion
Shadow—a Parable
Silence—a Fable
Essays
The Poetic Principle
The Philosophy of Composition
Old English Poetry
Preface
In placing before the public this collection of Edgar Poe's poetical works, it is requisite to point out in what respects it differs from, and is superior to, the numerous collections which have preceded it. Until recently, all editions, whether American or English, of Poe's poems have been verbatim reprints of the first posthumous collection, published at New York in 1850.
In 1874 I began drawing attention to the fact that unknown and unreprinted poetry by Edgar Poe was in existence. Most, if not all, of the specimens issued in my articles have since been reprinted by
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